“All the Pretty Horses”

In William Gildings Lord of the Flies and Corm McCarthy completely the pretty Horses, the harassers take hold experiences with conclusion and be victims of mature circumstance which lead them to ultimate moral rapprochement. Death is non a topic to be taken lightly, which the characters of Lord of the Flies by William Gilding discover, Stranded, adult-less, on a deserted Island, the boys In the novel have a growing subconscious fear of a beast on the Island.When adept character, Simon, discovers that the beast is nothing but the sin within separately of them, he races to tell the group and is unfortunately mistaken for the beast. The boys lump upon Simon, whipstitching him with sticks and ultimately forcing him off a cliff his wipeout. The boys discover they have the fountain to kill upon Simonys death, causing them to reassess their strengths and abilities as a group of savages. Similarly, every last(predicate) the Pretty Horses by Corm McCarthy touches upon death and t he forced self- assessment It provokes In a character.Protagonist John Grady kale gets In a physical fight objet dart spending time at a penitentiary In Mexico. In an effort to save himself, Cole stabs his offender in the heart and, the chiselers stab clattered on the floor. From the red boutonnire blossoming on the left bulge of his the cochlear blue ark shirt there spurted a thin fan of knowing arterial blood. He dropped to his knees and pitched forward dead into the arms of his enemy (McCarthy 201). Cole, solo sixteen years old, is forced to reassess his strength and necessary abilities in order to survive this fight.His exposure to death, much like that of the characters of Lord of the Flies, signifies a new stage in life, a new outlook, and a brushup of how things are handled and how one reacts to certain things. Both Gilding and McCarthy utilize death as a tool to force characters to reassess their motives, strengths, and moieties charge sanity. Gildings Lord of the Fl ies also stresses the abandonment of Innocence through experience. By the novels close, protagonist Ralph has seen two friends die, the rest descend into savagery, and himself capable of going insane, experiencing hurting, and inflicting pain unto former(a)s.When the boys are finally rescued by chance from the Island, Ralph wept for the end of Innocence, the darkness of mans heart, and the fall through the air of a true, wise friend called Plugs (Gilding 202). Rallys, and the other characters, exposure to savagery and parting with innocence give not entirely homeless but the reader a sense of moral reconciliation. Ralph realizes that things and weeps for his softness to be blind to his surroundings and his inability to control them. He learns that although one can try to shit the best of a situation and make every effort to maintain control and order, things do not eternally go as planned.Likewise, McCarthy All the Pretty Horses teaches its protagonist, John Grady Cole, the sa me lesson. Cole Journeys to Mexico in search of the glorified cowboy life many well-tried to get a hold of at the time, and returns home having lost a close friend, killed another human being, and heartbroken at being unable to be with the girl he loved. Upon his return, Cole does not have the innocence he set out with because his experiences and the circumstances under which they occurred have heart-to-heart his eyes.He is made to reconsider what he values, and settles with himself what his morals are, and what he believes in and stands for. All the Pretty Horses and Lord of the Flies force their characters and readers to learn a lesson, to resign their morals and values, and get a taste of extreme experience and circumstance. Experiencing the death of a friend and being forced to act maturely collect to resistance led characters in William Gildings Lord of the Flies and Corm McCarthy All the Pretty Horses to self reassessment and moral understanding.While often times coming t o this lodge includes a happy close, the novels display a different angle, a lesson erudite without the fairytale ending the reader is so much hoping for. Moral reconciliation and the ability to assess oneself comes with maturity, and the authors of Lord of the Flies and All the Pretty Horses attest that sometimes obtaining this maturity comes at a heavy and painful price in parting with ones innocence.